2020 – 2021
Adam Walker: Ways of being beyond the perpetuating inequalities of the technosphere: Textual artistic intervention as a vital strategy in enabling resistant agency or, Embodying a practice of radical care.
Carol Mancke: Appearing in Public: The affordances of hopeless spaces.
Helen Slater Stokes: Exploring the optical perception of image within glass.
Laura Grace Ford: Threshold Cartographies – the Poetics of Contested Space.
Marianne Mulvey: A critical examination of the ‘Public Programme’ within contemporary art institutions.
Mark Selby: Machines at Play: The Attraction of Automation.
Stephanie Seungmin Kim: Arts and Politics: Art for Art’s Sake versus Art for Life.